Tag : Tribute Show

QUEEN ESTHER SINGS IN BECAUSE THE NIGHT: A TRIBUTE TO THE SONGS AND POETRY OF PATTI SMITH April 29th at 8:30pm Union Hall 702 Union St. Park Slope, Brooklyn For tickets, click here. FEATURING: Michael Alago Richard Barone Church of Betty Benjamin Cartel Rony Corcos Emily Duff Heather Eatman Queen Esther Irakli Gabriel & Anana Kaye Mamie Minch Puma Perl Dina Regine Tammy Faye Starlight Natti Vogel   HOUSE BAND: Simeon Cain, drums Chris Foley, guitar Noah Hoffeld, cello Mark Plati, guitar and bass

Tribute to Memphis Minnie and Mississippi John Hurt Queen Esther sings Memphis Minnie in a one night only tribute to the great lady herself — as well as Mississippi John Hurt – hosted by singer/songwriter Jan Bell. WHERE: Jalopy Theater 315 Columbia St. WHEN: Friday, August 1st at 9pm TICKETS: $10 To purchase tickets in advance, please click here. Performances include: Jan Bell Rashad Brown Karen Dahlstrom Dylan & Stephanie Queen Esther Feral Foster Tamar Korn Mamie Minch Eli Smith …and more! From AllMusic.com: The most popular and prolific blueswoman outside the vaudeville tradition, Memphis Minnie earned the respect of critics, the support of record-buying fans, and the unqualified praise of the blues artists she worked with throughout her long career. Despite her Southern roots and popularity, she was as much a Chicago blues artist as anyone in her day.  Big Bill Broonzy recalls her beating both him and Tampa Red in a guitar contest and claims she was the best woman guitarist he had ever heard. Tough enough to endure in a hard business, she earned the respect of her peers with her solid musicianship and recorded good blues over four decades for Columbia, Vocalion, Bluebird, OKeh, Regal, Checker, and JOB. More than a good woman blues guitarist and singer, Memphis Minnie holds her own against the best blues artists of her time, and her work has special resonance for today’s aspiring guitarists. Mississippi John Hurt left behind a legacy unique in the annals of the blues, and not just in terms of music. A […]